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ABOUT
Nurul Huda is an educator, writer, and image-maker for the most part of her everyday. Lecturing in different subjects across Anthropology, Liberal and Visual Arts, she commutes across different classrooms with a love for facilitation and performance. She is also a researcher whose interests focus on issues concerning the visual and sentient body, visual imagery and methodologies, narratives (text and the telling), and feminism. This often ties up with notions of identity, both as expressed through Self and Other. Her research interests are manifested through different medium, in both text and the visual. Nurul is also known as nuruL H. and indulges in the expansion of her book collection, the documentation of poetic moments, and the fine tuning of her hermit lifestyle. |
EXHIBITIONS
Women in War
Phase 1: Textualize in Survey: Space, Sharing, Haunting, The Substation, (September 2016)
Hijab/Her
Passionate Bodies, Chiang Mai (February 2017)
HUES: Shooting Home Reunion, Artistry (2013)
Shooting Home 2012 at Objectifs Shooting Home 10 Year Anniversary, National Museum of Singapore
(October – December 2012)
FRAME, Clarke Gallery, Birmingham, U.K. (October 2012)
Untitled: a visual response on Menstruation
Etiquette, The Substation, Singapore (August 2011)
The Sufi and the Bearded Man
Photographer/Researcher: exhibition at National University of Singapore Museum (2010 – 2011)
WRITING
Anthology Publications
- “The Why and Why not of being an Indian Muslim Woman” in Perempuan, by Gender Equality is our Culture (GEC), AWARE, Singapore (October 2016)
- “The Sentient and the Scatological” in Left/Right, independent art magazine (April 2016)
- “Unraveled” in Body Language: an Etiquette Anthology (August 2014)
Curatorial
FLOW, I:Cat Gallery, Vientiane (2015)
NUS Museum: Family Intimacies (2012); Family Intimacies (2012); The Sufi and the Bearded Man (2011); Nature, Man Included (2009); Tension, a Montage Photography Exhibition (2008)
RESEARCH
Women in War
A multi-disciplinary Art-Research project exploring images of women documented in wars and conflicts across regions; investigating notions of Photography as Medium & Method, the Gendered Body, Visual Politics, Narratives, and the Archival
In Absentia
A compilation of personal reflection essays on absence, in the forms of medium, authorship, the visual and the sentient, across ongoing projects
Women in War
Phase 1: Textualize in Survey: Space, Sharing, Haunting, The Substation, (September 2016)
Hijab/Her
Passionate Bodies, Chiang Mai (February 2017)
HUES: Shooting Home Reunion, Artistry (2013)
Shooting Home 2012 at Objectifs Shooting Home 10 Year Anniversary, National Museum of Singapore
(October – December 2012)
FRAME, Clarke Gallery, Birmingham, U.K. (October 2012)
Untitled: a visual response on Menstruation
Etiquette, The Substation, Singapore (August 2011)
The Sufi and the Bearded Man
Photographer/Researcher: exhibition at National University of Singapore Museum (2010 – 2011)
WRITING
Anthology Publications
- “The Why and Why not of being an Indian Muslim Woman” in Perempuan, by Gender Equality is our Culture (GEC), AWARE, Singapore (October 2016)
- “The Sentient and the Scatological” in Left/Right, independent art magazine (April 2016)
- “Unraveled” in Body Language: an Etiquette Anthology (August 2014)
Curatorial
FLOW, I:Cat Gallery, Vientiane (2015)
NUS Museum: Family Intimacies (2012); Family Intimacies (2012); The Sufi and the Bearded Man (2011); Nature, Man Included (2009); Tension, a Montage Photography Exhibition (2008)
RESEARCH
Women in War
A multi-disciplinary Art-Research project exploring images of women documented in wars and conflicts across regions; investigating notions of Photography as Medium & Method, the Gendered Body, Visual Politics, Narratives, and the Archival
In Absentia
A compilation of personal reflection essays on absence, in the forms of medium, authorship, the visual and the sentient, across ongoing projects
