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ABOUT
Nurul Huda Rashid is a researcher, educator, and photographer. Her research interests focus on images, narratives, visual and sentient bodies, feminisms, and the intersections between them. Her current project, Women in War, is a survey of images of women in war, critiqued through concepts of gender and violence, politics of the visual, and the role of media and the archives as methods. She has exhibited her projects, Hijab/Her (2012) and Untitled (2011) at the National Museum of Singapore and The Substation, and produced “Phase 3: Notes to Her” (2018), part of her Women in War project as part of a studio residency with Objectifs. Nurul develops and facilitates Photography and Sex Education workshops with AWARE, a Women's Advocacy Organization, and teaches across various tertiary institutions on subjects such as Anthropology, Liberal arts, and Design. Nurul is also known as nuruL H. and indulges in the expansion of her book collection, the documentation of poetic moments, and the fine tuning of her hermit lifestyle. |
UPCOMING
A Weekend Affair 1-2 June (https://aweekendaffair.info)
External Assessment Summer School 15-19 July (http://www.externalassessmentsummer.com)
RESIDENCY
@ Objectifs November-December 2018
EXHIBITIONS
Women in War
Phase 3: Performative at Objectifs, Performance-Talk (February, 2019)
Phase 1: Textualize in Survey: Space, Sharing, Haunting, The Substation, (September 2016)
Hijab/Her
Passionate Bodies, Chiang Mai (February 2017)
HUES: Shooting Home Reunion, Artistry (2013)
Shooting Home 2012 at Objectifs Shooting Home 10 Year Anniversary, National Museum of Singapore
(October – December 2012)
FRAME, Clarke Gallery, Birmingham, U.K. (October 2012)
Untitled: a visual response on Menstruation
Etiquette, The Substation, Singapore (August 2011)
The Sufi and the Bearded Man
Photographer/Researcher: exhibition at National University of Singapore Museum (2010 – 2011)
WRITING
Anthology Publications
- “The Why and Why not of being an Indian Muslim Woman” in Perempuan, by Gender Equality is our Culture (GEC), AWARE, Singapore (October 2016)
- “The Sentient and the Scatological” in Left/Right, independent art magazine (April 2016)
- “Unraveled” in Body Language: an Etiquette Anthology (August 2014)
Curatorial
FLOW, I:Cat Gallery, Vientiane (2015)
NUS Museum: Family Intimacies (2012); Family Intimacies (2012); The Sufi and the Bearded Man (2011); Nature, Man Included (2009); Tension, a Montage Photography Exhibition (2008)
RESEARCH
Women in War
A multi-disciplinary Art-Research project exploring images of women documented in wars and conflicts across regions; investigating notions of Photography as Medium & Method, the Gendered Body, Visual Politics, Narratives, and the Archival
In Absentia
A compilation of personal reflection essays on absence, in the forms of medium, authorship, the visual and the sentient, across ongoing projects
A Weekend Affair 1-2 June (https://aweekendaffair.info)
External Assessment Summer School 15-19 July (http://www.externalassessmentsummer.com)
RESIDENCY
@ Objectifs November-December 2018
EXHIBITIONS
Women in War
Phase 3: Performative at Objectifs, Performance-Talk (February, 2019)
Phase 1: Textualize in Survey: Space, Sharing, Haunting, The Substation, (September 2016)
Hijab/Her
Passionate Bodies, Chiang Mai (February 2017)
HUES: Shooting Home Reunion, Artistry (2013)
Shooting Home 2012 at Objectifs Shooting Home 10 Year Anniversary, National Museum of Singapore
(October – December 2012)
FRAME, Clarke Gallery, Birmingham, U.K. (October 2012)
Untitled: a visual response on Menstruation
Etiquette, The Substation, Singapore (August 2011)
The Sufi and the Bearded Man
Photographer/Researcher: exhibition at National University of Singapore Museum (2010 – 2011)
WRITING
Anthology Publications
- “The Why and Why not of being an Indian Muslim Woman” in Perempuan, by Gender Equality is our Culture (GEC), AWARE, Singapore (October 2016)
- “The Sentient and the Scatological” in Left/Right, independent art magazine (April 2016)
- “Unraveled” in Body Language: an Etiquette Anthology (August 2014)
Curatorial
FLOW, I:Cat Gallery, Vientiane (2015)
NUS Museum: Family Intimacies (2012); Family Intimacies (2012); The Sufi and the Bearded Man (2011); Nature, Man Included (2009); Tension, a Montage Photography Exhibition (2008)
RESEARCH
Women in War
A multi-disciplinary Art-Research project exploring images of women documented in wars and conflicts across regions; investigating notions of Photography as Medium & Method, the Gendered Body, Visual Politics, Narratives, and the Archival
In Absentia
A compilation of personal reflection essays on absence, in the forms of medium, authorship, the visual and the sentient, across ongoing projects
